Vektor, Witchaven And Exmortus Unleash Thrash Attack On The Echo

By Avinash Mittur

Feb. 19th 2012, The Echo, Los Angeles CA: Back home in the San Francisco bay area, small shows by local thrash metal bands were a common occurrence. Every other weekend, my friends and I would be treated to a stacked bill with some of the bay area’s best up and comers, like Hatchet, Fog of War, Invection or Hell-Fire, usually for less than ten dollars. Last Sunday night, I was treated to my first concert in that familiar style since coming to Los Angeles. Needless to say, Vektor, Witchaven and Exmortus gave the Echo a show that rivaled the best the bay has to offer, and one that I won’t soon forget – all for the small price of eight dollars.  Continue reading “Vektor, Witchaven And Exmortus Unleash Thrash Attack On The Echo”

Iced Earth and Symphony X: A Night of Power Metal Glory

By Avinash Mittur

Feb. 18th 2012, Club Nokia, Los Angeles CA: When it comes to power metal, few tours get better than this. Iced Earth and Symphony X, two bands that have been among the best in their styles for nearly twenty years, have come together to give North America a show they won’t soon forget. With the ever reliable Warbringer supporting, this show is guaranteed to please audiences everywhere. Los Angeles was no exception; the crowd at Club Nokia were treated to a spectacular display of some of the best power metal American bands have to offer. Continue reading “Iced Earth and Symphony X: A Night of Power Metal Glory”

Machine Head Brings The Eighth Plague To Hollywood

By Avinash Mittur

Feb. 17th 2012, The Avalon, Hollywood CA: Machine Head’s career might be one the greatest comeback stories in metal history. After releasing two of the heaviest and punishing albums of the ‘90s, the band succumbed to the nu-metal movement and sank into obscurity. With 2003’s Through the Ashes of Empires though, they rebounded with a return to their thrash and groove metal roots. Now after the release of their twin prog-groove-thrash masterpieces, The Blackening and Unto the Locust, Machine Head are more popular and successful than ever. Few other heavy metal bands have been so justly rewarded for taking risks and making dense, complex records. Last Friday night in Hollywood, Machine Head treated hundreds of their fans to a blistering two hour set that covered their whole career, warts and all.  Continue reading “Machine Head Brings The Eighth Plague To Hollywood”

Howlin’ Rain Bring Rock And Roll Thunder To The Echo

By Avinash Mittur

Feb. 16th 2012, The Echo, Los Angeles CA: For years and years, rock music has had its fair share of “revival” acts- bands dedicated to recreating an earlier non-contemporary style of music. From the southern throwback of the Black Crowes, to the traditional metal worship of Armored Saint, these bands have proudly had their minds in the past and have achieved varying degrees of success as a result. The best of these groups have written songs in the old style that rival their beloved classics, while the rest only offer a pale imitation of timeless staples. Howlin’ Rain have been described as one of these kind of groups; critics and journalists have been quick to note their love for classic rock and long jams and a refusal to adhere to modern trends. After giving the Echo an hour of some the best live rock and roll I have heard in a long time, Howlin’ Rain have shown that they’re far more than any mere seventies worship act. Continue reading “Howlin’ Rain Bring Rock And Roll Thunder To The Echo”

Anvil Returns To Los Angeles To Rock The Whisky

By Avinash Mittur

Feb. 15th 2012, Whisky A-Go-Go, Hollywood CA: The tale of Anvil’s rise to fame has become legendary. Instead of becoming rich young stars with a string of classic albums and hot tours, guitarist and vocalist Steve “Lips” Kudlow and drummer Robb Reiner worked day jobs for decades while continuing to support their dreams and love for metal by recording no-frills straight ahead albums and touring when they could. When their documentary Anvil! The Story of Anvil, released in 2008, the music world finally took notice of their struggle and passion. Riding a new wave of popularity and success from the documentary, Anvil have since recorded a killer new album, embarked on a long tour that packed clubs across America, and finally quit their day jobs. I had the opportunity of catching them on their last tour to a sold out crowd at the Fillmore in San Francisco, a fantastic show by all accounts. For the most part, Anvil managed to repeat this experience despite a couple of issues. Continue reading “Anvil Returns To Los Angeles To Rock The Whisky”

Exhumed Thrills Bloodthirsty Hollywood Crowd

By Avinash Mittur

February 11th 2012, The Roxy, Hollywood CA: Once again, Scion A/V has given Southern California the gift of heavy metal, and once again I have returned from their show with an amazingly sore neck. Needless to say, Scion has delivered a fun afternoon of metal to Los Angeles for the umpteenth time, and I couldn’t be happier.

This concert showcased Relapse Records, easily the heaviest and most experimental label Scion A/V have given the spotlight yet. Between the thrash and power metal leanings of Nuclear Blast, and the more modern metal stylings of Prosthetic Records, Relapse Records’ roster of sludge metal, grindcore and post-metal stands out as especially ear-rattling. I came to this show with zero prior knowledge of any of the bands’ music, besides knowing the style in which they played. As such, I gained a unique view of the bands’ performances and the show as a whole.

The concert began with Atlanta, GA’s Royal Thunder, who truly managed to remain an musical enigma throughout their short set. Opening with a track resembling post-metal, the song alternated between slow dirge-like verses and far louder sections with more head-bangable riffing being utilized. After thinking this band would continue with this loud-quiet volume dynamic for the rest of the set, I was surprised to hear their second song begin with an amazingly badass southern hard rock riff that wouldn’t sound out of place on a Mastodon album. This track got many heads moving, and highlighted Mlny Parsonz’s out of this world singing ability. It goes without this saying that this lady could wail. Her singing was full of passion and bluesy grit not unlike a more metal version of Joan Jett. The audience clearly loved this harder-rocking tune, and answered its finish with appropriate applause. The band’s set continued to alternate between post-metal styled tracks and more traditional rockers, which the audience seemed to enjoy. Personally, I would like to see the band decide on one direction and master it instead of attempting both at the same time. With a weapon like Mlny, I can see Royal Thunder succeeding in either style, but perhaps not both. Continue reading “Exhumed Thrills Bloodthirsty Hollywood Crowd”