Album Review: Trivium – The Sin and The Sentence

By Rosie Walker

Trivium was just a handful of high school students when they started out nearly 20 years ago. Having released seven full-length albums since then, this Florida-based band has made a pretty big name for themselves. They are considered to be one of the more noteworthy acts to come out of the new wave of American heavy metal movement. The fact that they are still evolving as a band shows their bravery, hard work ethic, and exploratory spirit. As they prepared to unleash their newest creation, ‘The Sin and the Sentence’, many waited in high anticipation. This eighth studio album which came out today, October 20, through Roadrunner Records, might have some of their fans in for a surprise. Continue reading “Album Review: Trivium – The Sin and The Sentence”

Album Review: Antisect – The Rising of the Lights

By Ryan Falla

Some bands never go out of style, even bands that have been disbanded for over twenty years. Anarcho-punk band Antisect was founded in 1983 and, despite disbanding within a decade, has come back in full force with their new record ‘The Rising of the Lights’. Even though it’s been exactly thirty years since their last record release, Antisect has come back harder and stronger than ever. Not only is this as gritty as punk can get, Antisect intentionally subverts the norm of aged punk musicians milking their old form for the sake of relevancy. Continue reading “Album Review: Antisect – The Rising of the Lights”

Album Review: The Kennedy Veil – Imperium

By Rosie Walker

Hungry and uncompromising, the young death metal band The Kennedy Veil is stepping up the modern metal game. In 2009, out of Northern California, four fellas founded this group and have made a point to be heard. With just two full-length albums under their belt, these guys are still bright eyed and bushy tailed. Proving their worth by the success of their records and from touring with legends like Exhumed and Cattle Decapitation, the scene is ready to hear what’s next. On October 20, the band will be releasing their third album, ‘Imperium’, through Unique Leader Records. Continue reading “Album Review: The Kennedy Veil – Imperium”

Album Review: GWAR – The Blood Of Gods

By Francisco Zamudio

As this dirtpile spirals downward at the hands of an orange tyrant, the scumdogs of the universe have returned to take their rightful place as destroyers of the earth. Although they would like nothing more than to see this heap of excrement vaporized from existence, they violently insist that is by their hands and their hands alone. As warriors Oderus Urungus and Flattus Maximus have been taken prisoner by the great void, never to return, those remaining have vowed to infect our earholes and various orifices with their brand of audio rape. Continue reading “Album Review: GWAR – The Blood Of Gods”

Album Review: Fozzy – Judas

By Ryan Falla

Well how about this, beloved WWE wrestler Chris Jericho brings us his 7th full-length album, ‘Judas’, with his band Fozzy. Chris Jericho has been a constant figure in the metal scene the last decade, rubbing elbows with all breeds of metal and rock superstar. His passion for metal allowed us quite the gift, as the last record I listened to from a WWE star was Randy “Macho Man” Savage’s debut. I was holding hope that ‘Judas’ is as fun to listen to as other works by wrestling stars. Continue reading “Album Review: Fozzy – Judas”

Holding the ‘Rock Block’ Captive: Royal Thunder headlines The End in Nashville

By Rosie Walker

October 13th 2017, The End, Nashville TN: There was a chill in the air last Friday night in Nashville, Tennessee. Autumn had finally arrived in The South. Folks traded in their denim vests for jean jackets to hit the rock ‘n roll show that evening. Just west of downtown Nashville, there is a small bundle of buildings known as the ‘Rock Block’. Every night you can hear punk or rock music pouring out from various doors residing on this street. The two legendary venues in this cluster, Exit/In and The End, are spaces that have catered to alternative music for decades. This past, brisk, Friday evening, proved that they still do. Continue reading “Holding the ‘Rock Block’ Captive: Royal Thunder headlines The End in Nashville”

Album Review: Gothminister – The Other Side

By Ryan Falla

Since 2003, Gothminister has been blowing the music world away with their trippy sense of industrial metal. Now it’s time for the release of their new album ‘The Other Side’, and like all Gothminister albums before, this record drives a heavy industrial groove that carves out a strong identity rather than slip into the flow of overt familiarity. You wouldn’t be surprised to know they’re based out of Norway, given the familiar European industrial flow of the record. Continue reading “Album Review: Gothminister – The Other Side”

Spectacular & Spellbinding: Evanescence performs ‘Synthesis’ with full Orchestra at Greek Theatre

By Andrew Bansal

October 15th 2017, Greek Theatre, Los Angeles CA: When their debut album ‘Fallen’ hit airwaves worldwide in 2003, the gothic rock/metal band Evanescence was all the rage. Over the course of the subsequent decade, they followed it up with two successful albums ‘The Open Door’ (2006) and the self-titled effort (2011). Due to a variety of reasons, releases have come few and far between for this band, but in 2017, they have returned with their most ambitious effort yet, ‘Synthesis’, an assortment of previous material reworked with orchestral arrangements, plus two new songs. While this album still awaits its November 10 release, the band has begun touring North America to recreate it live with a full orchestra. For its second show, the tour arrived at a sold-out Greek Theatre in Los Angeles last Sunday October 15th, and as it turned out, the concert made for more than a mere nostalgia trip for those that know of Evanescence from that 2003 album. Continue reading “Spectacular & Spellbinding: Evanescence performs ‘Synthesis’ with full Orchestra at Greek Theatre”