The grunge legends known as The Melvins have added another strange one to their wacked out discography, this time with the record ‘Pinkus Abortion Technician’. Like all Melvins before it, this record is jam-packed with absurd pieces of music which takes mainstream grunge to the absolute edge of madness without dropping off the cliff. That’s always been the specialty of the Melvins, pushing their music past the limits of kind, decent music into an attractively off-putting world of dissonance and personal insanity. Continue reading “Album Review: The Melvins – Pinkus Abortion Technician”
There are no other words to describe what I’ve just witnessed.
This might be the best debut album I’ve heard in a long time. High Reeper is one of those bands you have a hard time detailing without resorting to passionate expletives, but I’ll try my best anyway. Continue reading “Album Review: High Reeper – Self-Titled”
Denver based extreme-stoner metal band Green Druid just released their first full-length under Earache records, titled ‘Ashen Blood’. It is a seven-track journey through the realms of stoner metal traveled by bands such as Bongripper and Stoned Jesus. Green Druid is the next band to join that particular fray, and with their mastery of the atmospheric doom and decay they’ve realized themselves as one of Denver’s premier stoner metal. Continue reading “Album Review: Green Druid – Ashen Blood”
Earthless have released their latest studio album, ‘Black Heaven’, with a bit of a curveball grip. Whereas previous Earthless existed on a diet of instrumental space rock jams, now we see the band in an evolved form. The space-jam doom rock is still ever present, but it’s supplemented with something else. A fresh addition to the winning formula of Earthless. Continue reading “Album Review: Earthless – Black Heaven”
Longtime metal act The Sword, most notable for their pounding drone riffage and epic fuzz metal albums such as Age of Winters, Gods of the Earth, and Warp Riders look to add to their stoner metal majesty with their new release ‘Used Future’.
The only used future I’m looking at is The Sword’s. Continue reading “Album Review: The Sword – Used Future”
Canadian thrash outfit Black Wizard plays it hard and heavy with their music. Not just with songwriting and overall musicial formulation, but with themes and concepts that hit deeply. ‘Livin’ Oblivion’, the latest release from Black Wizard, focuses on themes of self-desecration and individual moral decay. On top of that, the darkly formulated thrash atmosphere paints the picture of the world slowly dripping off the canvas. Continue reading “Album Review: Black Wizard – Livin’ Oblivion”
Blackwulf is set to surpass the success of their last record, ‘Oblivion Cycle’, a Ripple Record release, with the explosive new release ‘Sinister Sides’. Coming out of Oakland, California, Blackwulf crafts a distinctly classic stoner metal landscape while offering a fresh take. Continue reading “Album Review: Blackwulf- Sinister Sides”
I still wonder at what point among my coming across this record did I realize ‘Amerikkkant’, the new release by industrial metal outfit Ministry, was oppressively terrible? Was it the hackneyed, edgy album title you’d see sketched in a 7th grader’s notebook among other, equally terrible album names? Was it the mediocre album cover featuring a boring, dystopian city backdropped over a face-palming Statue of Liberty? Was this album conceived by a 13-year old? Continue reading “Album Review: Ministry – AmeriKKKant”
Local Texas metal outfit Not My Master displays a strong sense of classic metal aggression while keeping a strong footing in the modern era with their brand new EP ‘Disobey’. A collection of seven tracks, including a Danzig cover, allows Not My Master to display their personal style of metal to much efficiency. Each track is powered by strong, mid-paced metal which uses moderate tempos to enhance the thickly laid, intensely driven guitar riffs. Continue reading “Review: Not My Master – Disobey EP”
According to Painted Doll co-founder, Dave Hill, “The Painted Doll record was a blast to make.”
That’s good to hear, because the Painted Doll record is a blast to listen to; a modern day Monkees-esque act with light-hearted, pop-driven rock in the vein of ’60s era bowl cuts and Ed Sullivan. The self-titled debut features a beach/pop rock atmosphere that calls back to the original era of rock without any irony or self-indulgence. It’s almost like Ghost without the overt, gimmick driven metal sheen laid atop the pop-rock foundation. Continue reading “Album Review: Painted Doll – Self-Titled”