{"id":323,"date":"2013-12-09T08:28:37","date_gmt":"2013-12-09T02:58:37","guid":{"rendered":"http:\/\/metalassault.com\/articles\/?p=323"},"modified":"2013-12-20T12:54:36","modified_gmt":"2013-12-20T07:24:36","slug":"defenders-of-the-crown-the-mighty-brocas-helm","status":"publish","type":"post","link":"http:\/\/metalassault.com\/articles\/2013\/12\/09\/defenders-of-the-crown-the-mighty-brocas-helm\/","title":{"rendered":"Defenders of the Crown: The Mighty Brocas Helm"},"content":{"rendered":"<p><strong>By Avinash Mittur<\/strong><\/p>\n<p><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/brocas-parkside.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"wp-image-325 alignright\" alt=\"brocas parkside\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/brocas-parkside.jpg\" width=\"234\" height=\"343\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/brocas-parkside.jpg 656w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/brocas-parkside-205x300.jpg 205w\" sizes=\"(max-width: 234px) 100vw, 234px\" \/><\/a>It\u2019s a Friday night in the Potrero Hill neighborhood of San Francisco. On 17<sup>th<\/sup> and Wisconsin, there lies a little bar and grill called Thee Parkside; if you\u2019re not careful, you might drive right past without even knowing it. I\u2019ve ventured to Thee Parkside just for this night, one that I have been waiting for since the age of fifteen. About one hundred metalheads and I have gathered to see one of the best bands in the world, Brocas Helm. I enter the minute the doors open, and I\u2019m immediately greeted by friends and many of the Bay Area\u2019s most dedicated metal lifers- this is the band\u2019s first local show in nearly four years and before the night ends, the dive finds itself packed with Brocas Helm\u2019s most rabid fans.<\/p>\n<p>After three strong openers, the legendary act finally takes the stage at half past midnight and my excitement is boiling over. Standing tall at 6\u20194\u201d, frontman and guitarist Bob Wright introduces the first song of the night as one that showcases his two bandmates, drummer Jack Hays and bassist Jim \u201cThe Wizard\u201d Schumacher; the song is &#8216;Time of the Dark,&#8217; Brocas Helm\u2019s masterpiece and the high point of their thirty year career. Thirty years is a long time for any band to be around for, and Brocas Helm has come out of it with all three of its original members onstage. How did they reach this point though? How does a band exist for three decades, release only three studio albums, hardly ever play hometown shows and still end up with a fanatical, cult-like following? How does a band that breaks every other rule in the heavy metal handbook end up being one of the best on planet Earth?<!--more--><\/p>\n<figure id=\"attachment_354\" aria-describedby=\"caption-attachment-354\" style=\"width: 270px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan029s.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"wp-image-354 \" alt=\"Bob Wright, singer and guitarist of Brocas Helm.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan029s-300x234.jpg\" width=\"270\" height=\"211\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan029s-300x234.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan029s-1024x800.jpg 1024w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan029s-383x300.jpg 383w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan029s.jpg 1372w\" sizes=\"(max-width: 270px) 100vw, 270px\" \/><\/a><figcaption id=\"caption-attachment-354\" class=\"wp-caption-text\">Bob Wright, singer and guitarist of Brocas Helm. Photo courtesy of Jim Schumacher.<\/figcaption><\/figure>\n<p>The answer to those questions begins over forty years ago. As we chat over the phone, Bob Wright doesn\u2019t merely recount his past to me; he <i>relives<\/i> it. His boundless enthusiasm and energy brings life and imagery to his endless stories and anecdotes, the first of which takes place at a Deep Purple concert at the Winterland Ballroom in June 1972. Wright offers primary credit to the Man in Black for musical inspiration. \u201cThe guy that got me was Ritchie Blackmore. I got to see him with my hand on the stage! I went to see them at Winterland and we were right in the front row. To see Blackmore play\u2026 that was like, enlightening. I thought, \u2018This is what I want to do. This is cool!\u2019\u201d The heavier rock that Deep Purple was pioneering stood in sharp contrast to the hippie movement that Wright saw first-hand as a small child in San Francisco. \u201cWhen I was a little kid, it was the summer of love, the hippie thing and all that. People say how great it was- it was terrible! There was some good music that came out of it, there was some good art that came out of it, but as far as that hippie thing goes, it was just a terrible, terrible time.\u201d Wright sounds increasingly distressed as he re-experiences the horrors of the summer of 1967. \u201cEveryone makes it sound like it was such a great time, but they weren\u2019t there or they were stoned. I was a kid- I hadn\u2019t taken drugs yet so I saw it with my own eyes. It was horrible man! It was the worst, I hated everything that had to do with that kind of music. So I got into the hard rock\/metal thing.\u201d<\/p>\n<p>Though Wright idolized Blackmore, at the time he couldn\u2019t match the dizzying speed and virtuosity that the legend was known for. One guy that young Bob Wright could imitate however, was KISS guitarist Ace Frehley. Wright offers an honest appraisal of his first hard rock group, a KISS cover band. \u201cWe had a KISS band with all the stuff, though we could barely play. I had the Ace Frehley outfit and everything. We\u2019d play at UCSF and places like that. We were shitty, but at least we were trying. We had our own lights and flash pods and stuff. We could have blown stuff up but we couldn\u2019t play that good. Ace Frehley was not a very good player at the time- I could copy his playing note for note even though I could barely play because it was so simple. He was doing the simplest blues progressions you could do at the beginning.\u201d The cover band didn\u2019t last long however- as Wright\u2019s skill on the guitar grew, so did his desire to play original material. \u201cThat KISS band turned into the band Prisoner, which was my high school band. Basically they had these bands at my high school and I thought, \u2018Man, these guys are shit! I can make a band better than this.\u2019 So I did.\u201d<\/p>\n<p><iframe loading=\"lazy\" width=\"700\" height=\"525\" src=\"https:\/\/www.youtube.com\/embed\/PvFHI3-qj1w?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>When I speak with Jim Schumacher in the outside patio of Thee Parkside, I find myself initially perplexed. Schumacher is a far more reserved and relaxed individual than I could have ever expected, but he perks up when I ask about how he met Wright. Hidden behind his circular shades, Schumacher\u2019s eyes expand and his voice rises just a little bit. \u201cJesus Christ, that was a long time ago! I came up to San Francisco and I was looking for bands to join. I was auditioning for a bunch of them, and I saw a flyer with their name on it- that was Prisoner back then.\u201d Schumacher, a slightly more seasoned musician than the members of Prisoner, found himself impressed by Wright and joined the band. \u201cI went up there and I still have my notes from the audition: \u2018They\u2019re kind of young, but the guitar player\u2019s pretty good.\u2019\u201d Schumacher\u2019s claw-hammer technique\u2014a picking style still primarily used by banjo players and classical guitarists\u2014is something that was wholly unique back then, and gave a personality and presence to his playing that none have been able to recreate since.<\/p>\n<figure id=\"attachment_376\" aria-describedby=\"caption-attachment-376\" style=\"width: 212px\" class=\"wp-caption alignright\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan016s.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-medium wp-image-376 \" alt=\"Jim &quot;The Wizard&quot; Schumacher, bassist for Brocas Helm. His musical partnership with Bob Wright can be traced back to the Prisoner band. Photo courtesy of Jim Schumacher.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan016s-212x300.jpg\" width=\"212\" height=\"300\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan016s-212x300.jpg 212w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan016s.jpg 504w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/a><figcaption id=\"caption-attachment-376\" class=\"wp-caption-text\">Jim &#8220;The Wizard&#8221; Schumacher, bassist for Brocas Helm. His musical partnership with Bob Wright can be traced back to the Prisoner band. Photo courtesy of Jim Schumacher.<\/figcaption><\/figure>\n<p>Now armed with a lethal new bassist, Prisoner found itself ably prepared for an evolving musical landscape. Wright tells me a story that could have been a deleted scene from <b>This is Spinal Tap<\/b>, a story that shows that the Bay Area was finally developing a taste for hard rock and heavy metal. \u201cJim joined the Prisoner band and we\u2019d do these gigs at people\u2019s homes or at a pizza joint, gigs like that\u2026 That was a cover band that did originals. We played at a military base once. We got 200 bucks to play. We played The Cars, Beatles, Cheap Trick, Eddie Money, whatever. Whatever it took for girls to come. When girls came, the guys came and you\u2019d get money. We\u2019re at a military base with the marines in Alameda, and it\u2019s exactly like The Blues Brothers when they were the good old boys in that country bar, except we had no chicken wire. We\u2019re playing and about thirty or forty of these newly recruited marines come up to the stage and say, \u2018Listen you bastard, you\u2019re going to play what <i>we<\/i> want to hear!\u2019 It\u2019s like, \u2018Okay, we\u2019re going to get killed! We\u2019re going to die tonight onstage.\u2019 So they say, \u2018We want to hear \u2018Rock Bottom\u2019 by UFO!\u2019 and we actually knew it! So we went from playing the \u2018mommy\u2019s alright\u2019 song by Cheap Trick to playing Michael Schenker and man, they loved it! It worked out- we got out alive.\u201d This is the kind of anecdote that I could never imagine a young band recreating in today\u2019s world, and I\u2019m uncontrollably smiling from ear to ear as Wright weaves the tale.<\/p>\n<figure id=\"attachment_328\" aria-describedby=\"caption-attachment-328\" style=\"width: 270px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/prison02.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\" wp-image-328  \" alt=\"Bob Wright and Jim Schumacher with the Prisoner band. Photo courtesy of Jim Schumacher.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/prison02-300x222.jpg\" width=\"270\" height=\"200\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/prison02-300x222.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/prison02.jpg 334w\" sizes=\"(max-width: 270px) 100vw, 270px\" \/><\/a><figcaption id=\"caption-attachment-328\" class=\"wp-caption-text\">Bob Wright and Jim Schumacher with the Prisoner band. Photo courtesy of Jim Schumacher.<\/figcaption><\/figure>\n<p>The high school band didn\u2019t last, but the partnership between Schumacher and Wright did. \u201cI started playing with [Prisoner] and eventually we decided that we wanted to play harder stuff, so we changed the band format. Then we cleared house and looked for a new drummer. Our new stuff was a lot harder than the stuff we were doing before,\u201d is what Schumacher remembers. Prisoner was a fine adolescent rock group, but what the two needed now was a killer\u00a0<em>metal<\/em> band.\u00a0Schumacher and Wright went in search of a drummer, a vocalist and an additional guitar player for the new project. For the second guitarist, Wright had to look no further than down the street from his house.<\/p>\n<figure id=\"attachment_351\" aria-describedby=\"caption-attachment-351\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan022s.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-large wp-image-351\" alt=\"John Grey and Jim Schumacher. Grey would play on the Into Battle demo. The demo was later added to the Eat Metal Records' 2005 reissue of the Into Battle full-length record.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan022s-1024x827.jpg\" width=\"584\" height=\"471\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan022s-1024x827.jpg 1024w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan022s-300x242.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan022s-371x300.jpg 371w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan022s.jpg 1451w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><\/a><figcaption id=\"caption-attachment-351\" class=\"wp-caption-text\">John Grey and the Wizard. Grey can be heard on the Into Battle demo, which was later added to Eat Metal Records&#8217; 2005 reissue of the Into Battle full-length record. Photo courtesy of Jim Schumacher.<\/figcaption><\/figure>\n<p>Thanks to the power of Facebook, I manage to track down Brocas Helm\u2019s original second guitarist John Grey and we go back to his short, but very important stint in Brocas Helm. \u201cBob and Jim were trying to get a metal band together. I just heard that they were looking for a guitar player. My dad had bought me a Goldtop Les Paul on my fifteenth birthday, so I had already been fooling around on it for a couple of years, just starting to get into the harder rock and stuff. When Bob told me about the band, I was just like, \u2018Sounds good to me, let\u2019s jam.\u2019\u201d Though Grey\u2019s time in Brocas Helm was short, it\u2019s an essential part of their history; some of their most legendary shows featured Grey on stage left, and Grey stuck around just long enough to place his stamp on the band\u2019s early material. \u201cThings went pretty good, matter of fact I think Bobbie was working on &#8216;<a href=\"http:\/\/www.youtube.com\/watch?v=CYlYrCD5xrU\">Into Battle<\/a>&#8216;\u00a0and I remember him saying, \u2018Hey, why not do a back and forth lead?\u2019 That\u2019s how we came up with that, the trade-off lead in that song.\u201d Grey also remembers how Wright came to man the microphone out of sheer necessity. \u201cOne thing that we were really trying to find in the beginning<b> <\/b>was a vocalist, and we could just never do it. Bobbie could never find anybody that kind of had it all together and was able to sing too\u2026 He would sing the songs himself while we looked. It really had to be the right person. You can totally ruin a band without the right frontman. In hindsight, it was Bob that was the right person all along.\u201d<\/p>\n<p>What the new band needed next was a drummer. From what Grey remembers, the search was anything but easy. \u201cI just remember that back then, they didn\u2019t have too many<b> <\/b>drummers that could do much with the double-kick. Bobbie knew what he wanted, but this was before they had all that<b> <\/b>quick kick pedal stuff, you know? He had a lot of trouble finding someone that could actually use the bass drums the way he wanted.\u201d Wright himself doesn\u2019t place much emphasis on the skill of the drummers he tried out, but rather their oddball personalities. \u201cWe put these big ads for drummers all around. Some of the guys who tried out were okay, but others were just weirdos! Guys that thought they could just play for a week or two and become millionaires. Dude, it don\u2019t work that way! I said, \u2018Let\u2019s try something different.\u2019 I took a matchbook cover, wrote down my phone number and the words \u2018Hard Rock\/Heavy Metal\u2019 and stuck it on a wall at Guitar Center. That\u2019s how we met Jack, the drummer.\u201d<\/p>\n<figure id=\"attachment_361\" aria-describedby=\"caption-attachment-361\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan014s.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-large wp-image-361\" alt=\"Jack Hays, drummer for Brocas Helm- he was one of the very first percussionists to fuse jazz with heavy metal. Photo courtesy of Jim Schumacher.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan014s-1024x712.jpg\" width=\"584\" height=\"406\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan014s-1024x712.jpg 1024w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan014s-300x208.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan014s-431x300.jpg 431w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><\/a><figcaption id=\"caption-attachment-361\" class=\"wp-caption-text\">Jack Hays, drummer for Brocas Helm and one of the very first percussionists to fuse jazz with heavy metal. Photo courtesy of Jim Schumacher.<\/figcaption><\/figure>\n<p>Back at Thee Parkside, I sit down with Jack Hays and I can&#8217;t help but make a mental note of his warm and pleasant demeanor. He is always sporting a small and cheery smile, whether he is reminiscing about the past or checking out the opening bands. Mentally reassembling the days of his youth as he speaks, Hays transports us to when he performed heavy metal music for the first time. \u201cI moved in San Francisco in 1982 and I went to Guitar Center- at that time it was on Van Ness St. and it was a whole different place than they have now. I was just looking for somebody to play with. They had a bulletin board there and there was a lot of ads for people for drummers and other musicians. For whatever reason, I picked the one that was the smallest little note and it had Jim\u2019s phone number on it. I just called them and it was just going to be something to do to keep busy as a musician. When I went there to meet them on that first day, we played and it just sort of clicked. It was fun, they were not like other bands that I\u2019d heard. There were a lot of generic bands around and these guys were sort of unique. It just kind of clicked.\u201d<\/p>\n<p>Hays\u2019 drumming was just as unique as the band he joined, bringing jazz to heavy metal in a way that no one has come anywhere near replicating. It\u2019s something that came naturally to Hays as he recalls. \u201cBefore I came here I was in college as a music major. Whatever happened at the college\u2026 my professor there decided he had to go someplace else so I ended up having to move. I chose to move here, and jazz was what I did before I did that. Besides that, I grew up in a period where progressive rock was pretty big, and that\u2019s what I listened to. It was a combination of listening to Emerson, Lake &amp; Palmer, Yes and all this stuff. A lot of other underground progressive bands too\u2026 playing metal was a departure from what I was doing and I actually didn\u2019t think I was very good at it for a long time. I feel a lot more comfortable at it now.\u201c<\/p>\n<p>The last thing the four-piece needed was a name. What the hell is a \u201cBrocas Helm\u201d anyway? Wright answers my question in the perfect way. \u201cWell, there\u2019s a whole story about that.\u201d I\u2019m grinning again- it\u2019s time for another tale from Wright. \u201cI was looking in a book and I wanted a medieval sounding name. It was the whole medieval metal thing, knights in shining armor, jousting and all that crap. In that book I see this one helm\u2014the Brocas Helm\u2014and it was this jousting helm. It was named after Barnard Brocas, who was a knight. Supposedly we were on drugs or something and the wall spoke and said, \u201cBrocas Helm. That is the name.\u201d There really was a guy named Barnard Brocas and I think the actual Brocas Helm is in the Tower of London or something like that. I have an email from Chris Brocas, or some guy like that. He\u2019s related to Barnard Brocas and he wrote me an email saying that their family was honored that we used their name for the band. I\u2019m like, \u2018Wow!\u2019 That\u2019s cool man. Totally cool.\u201d<b>\u00a0<\/b><\/p>\n<figure id=\"attachment_326\" aria-describedby=\"caption-attachment-326\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/brian-lew.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-full wp-image-326\" alt=\"Bob Wright and Jim Schumacher at the Mabuhay Gardens in 1983. Photo courtesy of Brian Lew.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/brian-lew.jpg\" width=\"800\" height=\"587\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/brian-lew.jpg 800w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/brian-lew-300x220.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/brian-lew-408x300.jpg 408w\" sizes=\"(max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/a><figcaption id=\"caption-attachment-326\" class=\"wp-caption-text\">Bob Wright and Jim Schumacher at the Mabuhay Gardens in 1983. Photo courtesy of Brian Lew.<\/figcaption><\/figure>\n<p>It was during this early era that Brocas Helm played some of the most infamous shows of their career. Grey remembers that the band found themselves charter members of the Bay Area\u2019s growing thrash metal scene. \u201cWe played all the clubs in the city at the time,\u00a0the Mabuhay Gardens, the Stone, the Keystone Berkeley, the<b> <\/b>On Broadway, the Old Waldorf\u2026 it was fun man! We shared the stage with a few<b> <\/b>bands that are still around like Death Angel<b>, <\/b>Anvil Chorus, Stone Vengeance, Megadeth and Exodus. It was just right at that time when everything was happening. The thrash scene and everything.\u201d Brocas Helm was a perfect fit for the Bay Area metal scene\u2019s formative years- the time before thrash reached the level of aggression and technical perfection that it would later be known for. When it came to eye-catching crowds, Wright excitedly remembers the time as a golden era for Brocas Helm\u2019s live shows. \u201cWe would play back at the Old Waldorf and that was back when the girls would put on heels and dresses and dress up really hot and killer!\u201d It was also during this early era that Schumacher was dubbed \u201cThe Wizard,\u201d and began donning his signature stage outfit of a cape, captain\u2019s hat and pilot\u2019s goggles. So why \u201cThe Wizard\u201d of all nicknames? Schumacher answers the question matter-of-factly, hinting at vast and otherworldly knowledge- \u201cI know stuff that other people don\u2019t know.&#8221;<\/p>\n<p>With a name set and a badass live show at the ready, Brocas Helm knocked out a five-song demo called \u2018Into Battle\u2019- it\u2019s a raw and unfiltered representation of the band\u2019s earliest era. From what Grey tells me, the recording for the demo might have been the most efficient session Brocas Helm ever did. \u201cI just remember being at this\u00a0studio where\u00a0AT&amp;T\u00a0ballpark is right now. I think it was called Sound on Stage. It was just an 8-track studio and we had a certain amount of time.\u00a0We practiced like hell and knocked it out in one night. I think Bobbie came back the next day and finished up the vocals.\u201d The songs on the demo certainly stand tall on their own, but really aren\u2019t too far removed from what the likes of Iron Maiden, Judas Priest and Saxon were already doing in England- these tracks aren\u2019t the ones that would define the zany and raucous sound that Brocas Helm would claim as their own on later albums.<\/p>\n<figure id=\"attachment_341\" aria-describedby=\"caption-attachment-341\" style=\"width: 604px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/demo-era-brocas.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-full wp-image-341\" alt=\"Bob Wright, Jim Schumacher and John Grey at the On Broadway in 1983. Photo courtesy of John Grey.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/demo-era-brocas.jpg\" width=\"604\" height=\"429\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/demo-era-brocas.jpg 604w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/demo-era-brocas-300x213.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/demo-era-brocas-422x300.jpg 422w\" sizes=\"(max-width: 604px) 100vw, 604px\" \/><\/a><figcaption id=\"caption-attachment-341\" class=\"wp-caption-text\">Bob Wright, the Wizard and John Grey at the On Broadway in 1983. Photo courtesy of John Grey.<\/figcaption><\/figure>\n<p>Though the \u2018Into Battle\u2019 demo was released at the height of Brocas Helm\u2019s hometown popularity, John Grey bowed out from the band. Grey explains that Wright was writing riffs that simply became too difficult for him to keep up with. \u201cThe stuff that Bobbie writes is just so technical; it would really take a lot for me to learn his songs. He would give me a song- \u201cHere it is, do it, practice it, learn it,\u201d and he\u2019d expect me to come back the next time and nail it when really I\u2019d only have maybe 75% of it. I\u2019d be playing a couple of chords in place of a riff<b> <\/b>and he\u2019d be shaking his head.\u201d Grey chuckles, and acknowledges that his life simply wasn\u2019t that of a full-time axe-slinger. \u201cThat\u2019s kind of what our relationship was, we were friends and everything and there were no bad feelings, but I think they got frustrated with me. If I had just spent a little more time practicing, maybe I would have lasted a little longer! I still jam to their songs when I&#8217;m just fooling around in my garage.\u201d<\/p>\n<figure id=\"attachment_342\" aria-describedby=\"caption-attachment-342\" style=\"width: 243px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/into-battle-released.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\" wp-image-342  \" alt=\"Brocas Helm's debut record, Into Battle. The artwork shown was used without the band's blessing.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/into-battle-released-300x300.jpg\" width=\"243\" height=\"243\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/into-battle-released-300x300.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/into-battle-released-150x150.jpg 150w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/into-battle-released.jpg 600w\" sizes=\"(max-width: 243px) 100vw, 243px\" \/><\/a><figcaption id=\"caption-attachment-342\" class=\"wp-caption-text\">Brocas Helm&#8217;s debut record, Into Battle. The artwork shown was used without the band&#8217;s blessing.<\/figcaption><\/figure>\n<p>Grey\u2019s departure was followed by the band\u2019s full-length debut, also titled <b>Into Battle<\/b>. Now a trio, the band shopped their demo to local shops and labels. For the first and only time, Wright managed to land a bite; he found an East Bay store that doubled as a record label. \u201cWe took [the demo] to a little label in Walnut Creek called First Strike. I said, \u2018Hey can you sell some of these?\u2019 and he says, \u2018Well, everyone wants us to sell their records.\u2019 He gives it a listen about ten minutes later and says, \u2018Okay, give me a couple hundred of them!\u2019 It built from that and they were putting together a deal to do the first record, which was recorded in Concord.\u201d These days, <strong>Into Battle<\/strong> is held in high regard by fans of traditional heavy metal- the album can even be seen as an early forefather of the power metal genre. Wright\u2019s wild and fiery soloing throughout the title track, Hays\u2019 frantic jazz-metal rage on <a href=\"http:\/\/www.youtube.com\/watch?v=r-sjKxMmJ54\">\u2018Here to Rock\u2019<\/a> and the Wizard\u2019s unbelievably rad solo on <a href=\"http:\/\/www.youtube.com\/watch?v=lEzkBWGwHvk\">\u2018Night Siege\u2019<\/a> help cement the tracks as killer slabs of rocking, sing-a-long heavy metal.<\/p>\n<figure id=\"attachment_344\" aria-describedby=\"caption-attachment-344\" style=\"width: 243px\" class=\"wp-caption alignright\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/BHCOVER.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\" wp-image-344  \" alt=\"The original artwork that was to be used for Into Battle, painted by Verne Innhel\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/BHCOVER-300x261.jpg\" width=\"243\" height=\"212\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/BHCOVER-300x261.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/BHCOVER-344x300.jpg 344w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/BHCOVER.jpg 969w\" sizes=\"(max-width: 243px) 100vw, 243px\" \/><\/a><figcaption id=\"caption-attachment-344\" class=\"wp-caption-text\">The original artwork that was to be used for Into Battle, painted by Verne Balagot.<\/figcaption><\/figure>\n<p>Wright notes that <b>Into Battle <\/b>wasn\u2019t without its flaws however. \u201cWe had arguments about the mixing and arguments about the cover. It wasn\u2019t the cover that we wanted and we had a good mix, but over the weekend the producer went in and changed this and that.\u201d In the end, the release of <b>Into Battle<\/b> simply wasn\u2019t what the band wanted it to be. Schumacher notes that it\u2019s the one time that Brocas Helm ever yielded to the man in the tie. \u201cThe only time we ever let the record company do anything was on that album. The bass sounded bad to begin with, and they made it worse just before they pressed them. So yeah, the bass sounds pretty crappy. There\u2019s probably nothing on that album that I would have personally chosen when it comes to the bass tracks and the bass sound.\u201c Wright also remembers the disappointment that came with the album\u2019s release, rather than the celebration that he and the band wanted. \u201cRight when it came out, it just wasn\u2019t a big party like it should have been. It was just like, \u2018Damn it, they changed the EQ on the bass, what happened to the cover?!\u2019 It went from this great thing to, \u2018Hold on, this wasn\u2019t our idea, we were trying to do <em>this<\/em> instead!\u2019 On one of the reissues, we used the original cover, which is like a knight in a castle. [<b>Into Battle<\/b>] was good but when it came out it was like, \u2018Aw, they fucked it up!\u2019\u201d<\/p>\n<p>Though they couldn\u2019t address John Grey\u2019s departure by the time the <b>Into Battle <\/b>sessions were underway, Brocas Helm was eager to find another second guitarist. They found one in Tom \u201cT-Bone\u201d Behney. Still a friend of the band after all these years, Grey manages to put me in touch with Behney, now a resident of Reno, Nevada. Behney and I talk on the phone on a Saturday morning, and he turns the clock back to 1984. \u201cMy sister was dating this guy and he knew of the band- he knew that John Grey had just left and that they were looking for another guitar player. They were in the middle of cutting the <b>Into Battle <\/b>record and while they were cutting the record, they were giving me copies of the songs. Then we started clubbing, doing gigs and whatnot.\u201d<\/p>\n<figure id=\"attachment_357\" aria-describedby=\"caption-attachment-357\" style=\"width: 584px\" class=\"wp-caption alignright\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan040s.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-large wp-image-357\" alt=\"The second lineup of Brocas Helm: Tom &quot;T-Bone&quot; Behney, Jack Hays, Bob Wright and Jim Schumacher.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan040s-1024x729.jpg\" width=\"584\" height=\"415\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan040s-1024x729.jpg 1024w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan040s-300x213.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan040s-421x300.jpg 421w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan040s.jpg 1043w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><\/a><figcaption id=\"caption-attachment-357\" class=\"wp-caption-text\">The second lineup of Brocas Helm: Tom &#8220;T-Bone&#8221; Behney, Jack Hays, Bob Wright and Jim &#8220;The Wizard&#8221; Schumacher. Photo courtesy of Jim Schumacher.<\/figcaption><\/figure>\n<p>While the release of <b>Into Battle <\/b>marked the beginning of Behney\u2019s tenure with the band, Wright remembers that it also kicked off somewhat of a decline for Brocas Helm, as thrash became the flavor of the month for the Bay Area. \u201cWhen the thrash thing started we lost a lot of fans. We\u2019d play with these totally killer thrash bands, but we weren\u2019t thrash! People would tell me, \u2018Bob, write these thrash songs!\u2019 and I could write ten in a row, but there\u2019s no chicks coming!\u201d For thrash fans, the Bay Area in the mid to late \u201880s was a paradise but for bands like Brocas Helm and lovers of swinging classic heavy metal, that utopian perspective is one seen through rose-colored glasses. \u201cThere wasn\u2019t that many people going out to the clubs,\u201d Wright claims. I raise an eyebrow when I hear those words- I had always envisioned the Bay Area clubs as being packed wall-to-wall night after night in those days. \u201cYou\u2019d go to a Metallica show and that would sell out, but there was nobody there for us. We\u2019d still play at The Stone and On Broadway and we played private parties and stuff, but there was no big thing going. There was the thrash end, but those were only a few shows. You had to buy tickets if you wanted to play, so I said, \u2018Fuck that shit.\u2019 If we aren\u2019t selling thousands of records and making a lot of money every time we play, it\u2019s hard to do it. We still did it, but we just didn\u2019t make no money.\u201d Behney remembers this era more positively, while still noting that Brocas Helm was the odd man out in the Bay Area thrash scene. \u201cYeah, thrash was huge but we kind of went our own way. There was still a pretty good attendance because metal was still huge.\u201d<\/p>\n<figure id=\"attachment_373\" aria-describedby=\"caption-attachment-373\" style=\"width: 218px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/rampage.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-medium wp-image-373\" alt=\"A flyer for one of many Bay Area heavy metal shows at the Mabuhay Gardens.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/rampage-218x300.jpg\" width=\"218\" height=\"300\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/rampage-218x300.jpg 218w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/rampage.jpg 699w\" sizes=\"(max-width: 218px) 100vw, 218px\" \/><\/a><figcaption id=\"caption-attachment-373\" class=\"wp-caption-text\">A flyer for one of the many early thrash metal shows at the Mabuhay Gardens in 1985.<\/figcaption><\/figure>\n<p>From \u201984 to \u201988, the Bay Area\u2019s thrash scene was filled with high school kids and young adults in their early twenties that could spend their lives on music while staying at home with Mom and Dad. For the members of Brocas Helm, only a handful of years older than their peers in the thrash scene, spending their lives touring just wasn\u2019t an option according to Wright. \u201cThere was always a chance, but life happened. It\u2019s hard to leave for two or three weeks because A) someone will fire you from your job, B) you don\u2019t get no money. If you can\u2019t make money, you\u2019ve got to work to eat.\u201d Playing and recording music was now much more of a personal sacrifice than ever before, but Brocas Helm refused to relent and spent those four years writing and tracking material for their second album, <b>Black Death<\/b>. As one who prefers to knock out albums quick and easy, Schumacher especially found the struggle frustrating. \u201cThat [time] was spent recording\u2026 we took forever. I hate that shit! We had the album written, it just took forever to record it and get it done. The music scene wasn\u2019t good back then- it died out a bit. The thrash picked up, but heavy metal wasn\u2019t so good.\u201d<\/p>\n<p>For Wright, the lack of funding was a huge hurdle to overcome when it came to the making of <b>Black Death<\/b>. \u201cI had studio time booked to record at the place where Joe Satriani did his first few records, but no one had any money! I just couldn\u2019t get a financer, so I bought a reel-to-reel tape recorder, and used that to record <b>Black Death. <\/b>We built a little studio in my mom and dad\u2019s basement, that\u2019s where we made <b>Black Death<\/b>. We had almost nothing, but we still made the record.\u201d The studio, a place known as the Caverns of Thunder, was a cheap and flexible solution to the band\u2019s problems. Hays notes that it was perfect for the members of Brocas Helm, who now all had full-time jobs to stay on top of. \u201cWe built a studio in Bob\u2019s basement and recorded a bunch of stuff, and that ended up being what\u2019s on <b>Black Death.<\/b> I think some things were recorded pretty early, most of it was re-done later\u2026 We ended up just pursuing <b>Black Death<\/b> ourselves- in the evenings, after work. It\u2019s hard, it takes time. We all had jobs and had to go to work.\u201d Hays also recalls a legal struggle with their former label that ate up even more of the band\u2019s time. \u201cWe had a contract with First Strike Records, who did <b>Into Battle<\/b>. They basically owned our next record. We couldn\u2019t do anything without them signing off on it, so we were kind of stuck. They didn\u2019t really want to do anything with us anymore and we didn\u2019t want to do anything with them, but we were in this place where we had a contract with them. We couldn\u2019t do anything\u2026 We recorded a bunch of songs and gave this demo back to First Strike Records. \u2018Here\u2019s our new stuff, do you want it?\u2019 \u2018Okay, no we don\u2019t want it. You\u2019re off the hook.\u2019\u201d<\/p>\n<figure id=\"attachment_369\" aria-describedby=\"caption-attachment-369\" style=\"width: 209px\" class=\"wp-caption alignright\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan013s.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-medium wp-image-369\" alt=\"The Wizard and T-Bone Behney at one of the many celebrated Bay Area thrash shows.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan013s-209x300.jpg\" width=\"209\" height=\"300\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan013s-209x300.jpg 209w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan013s-715x1024.jpg 715w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan013s.jpg 1412w\" sizes=\"(max-width: 209px) 100vw, 209px\" \/><\/a><figcaption id=\"caption-attachment-369\" class=\"wp-caption-text\">The Wizard and T-Bone Behney playing one of the Bay Area&#8217;s celebrated thrash shows. Photo courtesy of Jim Schumacher.<\/figcaption><\/figure>\n<p>In a music world ruled by tight spandex and massive hair, Wright had trouble finding a home for Brocas Helm\u2019s second album. \u201cI probably personally sent out twenty-five to fifty <b>Black Death<\/b> demos and giant promotional kits, and we just couldn\u2019t get nothing,\u201d Wright laments. Hays attempts to offer an explanation for the lack of bites. \u201cWe shopped demos around trying to find a record company that would take us, but it was a difficult time. I think record companies wanted hit bands, and we were definitely not that.\u201d The band knew that the demand for their music was out there however, and Hays recalls that they decided to take matters into their own hands. \u201cPeople were offering money to press the demos that we made onto vinyl. We\u2019d ask, \u2018What are you going to do with that?\u2019 \u2018We\u2019re going to sell them in underground record shops around the world.\u2019 We could do that ourselves, why should we give them all of the rights and all that stuff? A lot of record companies want to own all the recording rights, songwriting and publishing, all that stuff. Unless they had something they could really do for you, why would we do that?\u201d Schumacher shared similar thoughts back then. \u201cWe\u2019d rather do it ourselves and do it better on our own than any low-end company. Unless it was a big company like Warner Bros. with the money to really push the record or gives us a tour or something really valuable, we could just do it better ourselves.\u201d<\/p>\n<figure id=\"attachment_349\" aria-describedby=\"caption-attachment-349\" style=\"width: 243px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/Screen-Shot-2013-12-03-at-12.45.12-AM.png\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"wp-image-349 \" alt=\"Brocas Helm's second album, Black Death. It was self-released through the band's own label, Gargoyle Records.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/Screen-Shot-2013-12-03-at-12.45.12-AM-300x300.png\" width=\"243\" height=\"243\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/Screen-Shot-2013-12-03-at-12.45.12-AM-300x300.png 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/Screen-Shot-2013-12-03-at-12.45.12-AM-150x150.png 150w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/Screen-Shot-2013-12-03-at-12.45.12-AM.png 420w\" sizes=\"(max-width: 243px) 100vw, 243px\" \/><\/a><figcaption id=\"caption-attachment-349\" class=\"wp-caption-text\">Brocas Helm&#8217;s second album, Black Death. It was released through the band&#8217;s own label, Gargoyle Records.<\/figcaption><\/figure>\n<p>And so they did. Brocas Helm self-released <b>Black Death<\/b> in 1988 and though the record failed to make a big splash in the metal world, the band\u2019s fans knew that the album was something truly special. <b>Black Death<\/b> was the first record to accurately capture Brocas Helm\u2019s over the top live energy. For album number two, Wright\u2019s vocals possess a whole new level of command and power; his hearty and menacing laughter kicks off the title track, a song that showcases a tour-de-force performance from Hays and plenty of screaming solos from Wright and Behney. The guitar team would trade off dueling licks in \u2018Prepare for Battle,\u2019 and Schumacher would get the chance to show off his bass wizardry in the song as well. Behney penned the thrashy ass-kicker \u2018<a href=\"http:\/\/www.youtube.com\/watch?v=KUb-rTfplzE\">Satan\u2019s Prophets,\u2019<\/a> but he admits that Wright took the reigns on the fan-favorite of <strong>Black Death<\/strong>, the galloping anthem <a href=\"http:\/\/www.youtube.com\/watch?v=9xsPuc34udA\">\u2018Fly High.\u2019<\/a> \u201cBob did everything on \u2018Fly High.\u2019 To me, that song was like his signature on the <strong>Black Death<\/strong> record.\u201d Brocas Hem&#8217;s second album is the aural manifestation of chaos, and it\u2019s perhaps the best sonic representation of the band live. It\u2019s brash, in your face and pretty damn ugly- an outrageous record by any measure, and a far more crazed listen than <b>Into Battle<\/b> ever attempted to be.<\/p>\n<p><b>Black Death<\/b> was also the first album that Hays mixed for the band- a task that he admits was a struggle. \u201cIt was hard. You want everybody to be louder than everybody else, right? That\u2019s always a challenge. We\u2019re sort of a democratic band, especially back in those days. You mix it, one guy\u2019s not happy, you mix it again to make someone else louder, and then somebody else isn\u2019t happy. Being the drummer, trying to make my stuff louder than everybody else, the other guys weren\u2019t happy when I did that. It was constant shifting things around. I think it was a big learning experience\u2026. It was a lot of things: it was hard, it was also really fun, and it was nice to be able to play in a studio where we weren\u2019t being charged by the hour. We spent hundreds, thousands of hours in the studio playing with sound effects and things like that. Now I listen to the record and I think, \u2018Maybe I shouldn\u2019t have put that part in there.\u2019\u201d As Hays mentions the sound effects, my brain races back to <b>Black Death<\/b>. I hear the breaking glass during <a href=\"http:\/\/www.youtube.com\/watch?v=-SwMqIIJ3S4\">\u2018Hell\u2019s Whip,\u2019<\/a> the noise collage at the beginning of the title track and the medieval keys that grace <a href=\"http:\/\/www.youtube.com\/watch?v=ZqWAO0z93vE\">\u2018The Chemist.\u2019<\/a> In my mind, I can\u2019t help but disagree with Hays- I wouldn\u2019t have <b>Black Death <\/b>any other way.<\/p>\n<p>Many bands tend to forget the friends and family that helped them out in the early days, but the members of Brocas Helm readily acknowledge the help they received from outside the band. Behney credits Bob Wright\u2019s brother Guy for helping the band through the recording sessions for <b>Black Death<\/b>. \u201cWe were recording in the studio with Bob and his brother Guy, who was a very, <i>very<\/i> important part of Brocas Helm actually. He was the one who was behind the scenes with a lot of the engineering while the four of us were playing. He was running the board with a tape recorder and everything. He was just as important as Bob, Jim or Jack or I. He\u2019s smart\u2014he\u2019d sync stuff, come up with stuff and all kinds of things.\u201d Behney even remembers the Wright family\u2019s neighbors that acted as roadies for the band in those days. \u201cThere\u2019s some stuff on YouTube, I think there\u2019s <a href=\"http:\/\/www.youtube.com\/watch?v=Q4lO3xd0RkI\">a \u2018Black Death\u2019 video<\/a>. You see guys that hung around and helped us out when we played, like Rob Goulding, James Bracco and they lived down the street from Bob and Guy, and they had the studio in the house. Everything was kind of centered around there, on Alta Vista in Daly City.\u201d Even John Grey, a keen observer in the years since he left Brocas Helm, acknowledges Mr. and Mrs. Wright as the cool parents in the neighborhood. \u201cThe most important people behind the scenes were probably Bob&#8217;s mom and dad. They gave Bob and Guy a lot of leeway to say the least. The Caverns of Thunder were right beneath them and they were always so nice. Especially his mom. She was definitely one of my favorite moms on the block.\u201d<\/p>\n<figure id=\"attachment_368\" aria-describedby=\"caption-attachment-368\" style=\"width: 237px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/dark-rider-lyrics1.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-medium wp-image-368\" alt=\"Jean Schumacher's hand-written lyrics to &quot;Dark Rider&quot; off of Into Battle. \" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/dark-rider-lyrics1-237x300.jpg\" width=\"237\" height=\"300\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/dark-rider-lyrics1-237x300.jpg 237w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/dark-rider-lyrics1-809x1024.jpg 809w\" sizes=\"(max-width: 237px) 100vw, 237px\" \/><\/a><figcaption id=\"caption-attachment-368\" class=\"wp-caption-text\">Jean Schumacher&#8217;s hand-written lyrics to &#8216;Dark Rider&#8217; off of Into Battle.<\/figcaption><\/figure>\n<p>The most obvious outside contributor that fans can hear is Jean Schumacher- the Wizard\u2019s wife and according to liner notes, the Queen of the Realm. Her lyrics can be found on every Brocas Helm release, and Wright notes that her writing was a true asset for the band. \u201cJean\u00a0Schumacher is a good writer and after she submitted some complete lyrics\u2014which I thought were very good\u2014we used them on our records.\u00a0I wanted more. I spent years trying to get her to write lyrics. I would explain what\u00a0one of my\u00a0songs was about and\u00a0every once in a while she would come up with something\u2026 Some of\u00a0her lyrics I would use straight off the paper and others we would\u00a0do the Elton John\/Bernie Taupin method where I would\u00a0arrange, change or repeat\u00a0what she had to fit the music.\u00a0\u00a0Some songs have both our lyrics combined on them and some I wrote myself and some Jean wrote herself.\u201d Friends and family helped Brocas Helm get through the rest of the decade, though nothing could have ever prepared them for the dark age of heavy metal- the 1990s.<\/p>\n<p>After recording another demo called \u2018Helm\u2019s Deep\u2019 with the band, T-Bone Behney was relieved of his duties. \u201cJack just called me on the phone and said I was out of the band. That was that. It was a surprise to everybody and I just went on,\u201d Behney explains. He holds no grudges though and like John Grey, he remains a part of the Brocas Helm family. &#8220;It was good times and if they asked me, I would play again with them. I still like all those guys, I still think they\u2019re cool. Ninety percent of the time, we had a lot of fun. Whenever we went and did shows, it was always a party.&#8221; Behney was let go in 1989;\u00a0the hair metal bubble was just two short years away from popping. For nearly ten years, Brocas Helm had to fight tooth and nail to maintain a pulse. Schumacher offers a blunt assessment- \u201cThose were really bad years. We thought it was pretty much over.\u201d The band persevered however, and though Hays remembers the adversity they faced during the decade, he manages to view the era with a glass half-full mentality. \u201cIt was discouraging I\u2019d say. There weren\u2019t a lot of metal shows and Nirvana and all those bands came up. At the same time, there was less pressure to go out and play shows. We\u2019re trying to record and play shows at the same time\u2026 when you play a show, you go in there and break down all your equipment in the studio, you go play the show, then it takes two weeks to set back up to do recording again. In some ways, it made it easier to do the songs that were on the \u2018Ghost Story\u2019 demo. There was less pressure to do everything all at once. We were pretty much just in the home studio. There was some benefit to that I guess, but it was still hard. I think the other guys particularly like to play live rather than record.\u201d<\/p>\n<figure id=\"attachment_348\" aria-describedby=\"caption-attachment-348\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan011s.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-large wp-image-348\" alt=\"Bob Wright, Jack Hays and Jim Schumacher at the Caverns of Thunder in the early '90s.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan011s-1024x693.jpg\" width=\"584\" height=\"395\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan011s-1024x693.jpg 1024w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan011s-300x203.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bhnewscan011s-443x300.jpg 443w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><\/a><figcaption id=\"caption-attachment-348\" class=\"wp-caption-text\">Bob Wright, Jack Hays and the Wizard at the Caverns of Thunder in the early &#8217;90s. Photo courtesy of Jim Schumacher.<\/figcaption><\/figure>\n<p>As Wright remembers, he and the band retreated to the Caverns of Thunder, where they wrote and recorded a handful of their all-time best songs. \u201cThe \u201890s was when Nirvana came- which is fine, I\u2019ve got nothing against Nirvana. No metal- it was just dried up unless it was Metallica at the Cow Palace or something. In the \u201890s we still wrote more songs, and we tried again. We made demo tapes and we even wrote comedy songs like <a href=\"http:\/\/www.youtube.com\/watch?v=KLm74CZKkgI\">\u2018Drink and Drive.\u2019<\/a>\u201d Wright never stopped hunting for a record label either, and refused to give up on Brocas Helm. \u201cWe made what we called the \u2018Ghost Story\u2019 demo, which was a little book that we used to try and get a record deal. We just couldn\u2019t get a deal for several reasons: not good looking enough, not catchy enough, not good enough, but whatever! You don\u2019t quit, you just keep playing.\u201d Hidden away in the middle of the \u2018Ghost Story\u2019 demo is a song called <a href=\"http:\/\/www.youtube.com\/watch?v=POJzyR2NOZA\">\u2018Time of the Dark,\u2019<\/a> Brocas Helm\u2019s masterpiece. Leading off with a tension-packed bass solo from the Wizard, the track showcases Wright\u2019s greatest performance on record. His vocals soar, yet they\u2019re filled with genuine grit and frustration- one can take a guess as to who the \u201cwerewolves in high places\u201d and \u201cthe nineteen-nineties ghouls\u201d are. Driven by a main riff that would have made Phil Lynott emerald-green with envy, \u2018Time of the Dark\u2019 is topped off with an incredible solo from Wright that practically begs to be accompanied by an air-guitar. The track is their greatest achievement, and one can imagine how elated I was to hear the band open their set with it at Thee Parkside in 2013.<\/p>\n<figure id=\"attachment_362\" aria-describedby=\"caption-attachment-362\" style=\"width: 225px\" class=\"wp-caption alignright\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/DSC00788.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-medium wp-image-362\" alt=\"Bob Wright en route to Athens, Greece. Photo courtesy of Jim Schumacher.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/DSC00788-225x300.jpg\" width=\"225\" height=\"300\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/DSC00788-225x300.jpg 225w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/DSC00788-768x1024.jpg 768w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/DSC00788.jpg 1200w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a><figcaption id=\"caption-attachment-362\" class=\"wp-caption-text\">Bob Wright en route to Athens, Greece. Photo courtesy of Jim Schumacher.<\/figcaption><\/figure>\n<p>Near the end of the nineties, Brocas Helm\u2019s patience and tenacity finally began to pay off. Schumacher credits the world-wide web with immortalizing their legend, and Greece for reminding them of how beloved they were. \u201cThe reason we came back was all due to the internet. One day the Greek promoter\u00a0Greg Varsamis and the Eat Metal Records gang said, \u2018Hey, if we send you money, will you come play?\u2019 We said, \u2018Fuck yeah, we\u2019ll come play!\u2019 Our first show back was in Athens, Greece. The Greeks are huge fans, they\u2019ll follow us around. It\u2019s like a heavy metal Grateful Dead.\u201d While America was busy appreciating bands that <a href=\"http:\/\/www.youtube.com\/watch?v=JTMVOzPPtiw\">\u201ckept it real,\u201d<\/a> Schumacher found that Europe still knew how to have a good time. \u201cThe European audience is not jaded like the American audiences, they still have fun over there. They\u2019re not too cool to run around and act like maniacs.\u201c For Wright, Greece was the place that truly made the band feel like rock stars. \u201cThe first time we went to Greece, we showed up at the airport at one or two o\u2019clock in the morning. We find this guy that\u2019s supposed to drive us and instead there\u2019s like 150 people with Brocas Helm banners and stuff! It\u2019s like, \u2018Okay, this is pretty good!\u2019\u201d Wright laughs at the silliness of the situation. \u201cI was like, \u2018Finally, someone appreciates this shit!\u2019 It was really cool.\u201d<\/p>\n<p>Back in America, there was one old-school metal nerd that managed to get Brocas Helm to return to the stage in the late \u201890s. That nerd was John Cobbett, a busy member of the Bay Area\u2019s returning heavy metal scene. Cobbett put on a series of concerts called Lucifer\u2019s Hammer at the Covered Wagon Saloon in San Francisco. A few of those shows featured Brocas Helm playing alongside another band that shared their unrelenting no-fucks-given spirit, The Lord Weird Slough Feg. Wright found a fan and friend in Slough Feg frontman Mike Scalzi, who drew inspiration from Wright\u2019s Earth-shattering personality and unwavering dedication to music. Scalzi would even pen <a href=\"http:\/\/www.invisibleoranges.com\/2011\/02\/bullpen-bulletins-4-the-amazing-citizen-wright\/\">a rather rad tribute to Wright<\/a> years later. Wright remembers the Lucifer\u2019s Hammer shows as the band\u2019s best since the Bay Area\u2019s \u201880s heyday- \u201cAt the end, it started coming back, I was dusting off old guitars and we were playing Lucifer\u2019s Hammer. Little by little, the metal thing built back up&#8230; We\u2019d actually have shows where a lot of people would come, it was cool!\u201d As for Hays, the Lucifer\u2019s Hammer shows were proof that Brocas Helm\u2019s music was appreciated at home, though he notes that they nearly gave up on the idea of their hard work gaining recognition. \u201cWe thought <b>Black Death <\/b>was going to be a sleeper album, or the \u2018Ghost Story\u2019 stuff. We\u2019re thinking that it would come out and seven years later people would like it. We sort of gave up on that, we thought it was delusional. All of a sudden though, the music got around the world, people started buying it, bootlegging it and sending it all around. The bootlegging was actually good for us I think in the long run. Toward the end of the \u201890s and the beginning of the 2000s, it became about us having fun playing. We\u2019re lucky enough that we\u2019re able to go play for people that want to hear us. It\u2019s pretty cool, I cannot complain at all.&#8221;<\/p>\n<figure id=\"attachment_372\" aria-describedby=\"caption-attachment-372\" style=\"width: 496px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/Bhsm.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-full wp-image-372\" alt=\"One of many promo shots taken around the release of Defender of the Crown. Photo courtesy of Jim Schumacher.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/Bhsm.jpg\" width=\"496\" height=\"376\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/Bhsm.jpg 496w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/Bhsm-300x227.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/Bhsm-395x300.jpg 395w\" sizes=\"(max-width: 496px) 100vw, 496px\" \/><\/a><figcaption id=\"caption-attachment-372\" class=\"wp-caption-text\">One of many promo shots taken near the release of Brocas Helm&#8217;s third album, Defender of the Crown. Photo courtesy of Jim Schumacher.<\/figcaption><\/figure>\n<p>Rejuvenated by the renewed interest, the trio set about completing their long awaited third record. According to Wright, the sessions did not begin auspiciously however. \u201cWe went to a real recording studio run by some guys we knew, so we went down there and Jim pretty much quit after the first day or two. My brother was an engineer on the project and he quit too because we were fixing these guys\u2019 equipment a lot. It was just nuts man. I would practice these perfect and beautiful leads, go in to record and they\u2019d say, \u2018Oh we can\u2019t do that song, we\u2019ve got a problem.\u2019 It would be like, \u2018Well dude, I just spent a week writing this thing, now we\u2019re doing something where I don\u2019t even know what I\u2019m doing!\u2019\u201d Hays, who once again served as the mixing engineer, also acknowledges the headaches that the band ran into with the third record. \u201cWe started recording for <b>Defender of the Crown<\/b> on tape. I used to help people build studios, so I helped these guys build the place where first started recording the album. They ended up losing the studio while we were recording there, so we took the analog tapes and dumped them into our digital machine. I took it and did the rest of the work at home, mostly on a computer.\u201d<\/p>\n<p>After taking those tapes home, Wright spent the next few years chipping away at what he could. He remembers spending nights in solitude after work, slowly recording bits and pieces of the songs that would make up <b>Defender of the Crown<\/b>. \u201cWe went back to the Caverns of Thunder and recorded the album slowly, song-by-song. I did a lot of that stuff myself- recording the guitars and the singing stuff. I did that stuff alone with a bottle of Jack Daniels, a bag of weed and a pack of cigarettes. That\u2019s how that was done and then Jack would mix it.\u201c Hays had to contend with the transition from analog tape to digital, and he places some of the blame on digital technology\u2019s boundless freedom for delaying the release of <b>Defender of the Crown<\/b>. \u201cI like the analog- there\u2019s no latency, everything was sort of real-time, you mix it manually by hand. It\u2019s sort of like playing an instrument while you\u2019re doing it. When you go to digital, I can get the volume to change exactly when I want it and all these things, but you end up spending a lot of time trying to get everything exactly right and perfect. That probably contributed to the length of time that it took to put it out.\u201d<\/p>\n<figure id=\"attachment_338\" aria-describedby=\"caption-attachment-338\" style=\"width: 270px\" class=\"wp-caption alignright\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/defender.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\" wp-image-338\" alt=\"defender\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/defender-300x270.jpg\" width=\"270\" height=\"243\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/defender-300x270.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/defender-333x300.jpg 333w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/defender.jpg 500w\" sizes=\"(max-width: 270px) 100vw, 270px\" \/><\/a><figcaption id=\"caption-attachment-338\" class=\"wp-caption-text\">Defender of the Crown, Brocas Helm&#8217;s third album and the best record of their thirty year career. A sixteen year gap separated this album and its predecessor, Black Death.<\/figcaption><\/figure>\n<p><b>Defender of the Crown<\/b> was finally released in June of 2004. Metal fans have a pattern that they\u2019re used to when it comes to new albums by veteran bands: embarrassing at worst, and mildly respectable at best. One can picture the shock on everyone\u2019s faces after listening to Brocas Helm\u2019s third record- over twenty years into their career, the band made their finest album. From the monolithic showcase for the Wizard, <a href=\"http:\/\/www.youtube.com\/watch?v=SO2poJAaE_I\">\u2018Cry of the Banshee,\u2019<\/a> to the cranium-cracking <a href=\"http:\/\/www.youtube.com\/watch?v=l87WIdyKdzw\">\u2018Skullfucker,\u2019 <\/a><b>Defender of the Crown<\/b> is nothing short of an incredible record. It successfully marries the NWOBHM wallop featured on <b>Into Battle<\/b> with the blazing pandemonium of <b>Black Death<\/b>, and the result is an album that truly defines the sound of Brocas Helm: fifteen tracks of no-holds-barred battering ram heavy metal. The album even features the \u2018Ghost Story\u2019 demo in its entirety, which only strengthens the already phenomenal full-length. Ever since its release, most Brocas Helm live sets have been primarily made up of material from <strong>Defender of the Crown\u00a0<\/strong>and for good reason- traditional heavy metal doesn&#8217;t get much better than this record.<\/p>\n<p>Brocas Helm\u2019s legacy continues to grow as the years pass; in 2008, the <b>Defender of the Crown <\/b>tracks \u2018Cry of the Banshee\u2019 and <a href=\"http:\/\/www.youtube.com\/watch?v=_YO8qwKVuik\">\u2018Drink the Blood of the Priest\u2019<\/a> were featured in the million-selling videogame Br\u00fctal Legend. The game exposed the band to new fans all over the world. The members of Brocas Helm also finally recognize what they need in order to co-exist with each other- three guys spending decades locked in a basement studio together are practically guaranteed to get on each others\u2019 nerves (\u201cAfter thirty years, it\u2019s like being married!\u201d Wright jokes). These days Wright is perfectly aware of just how wacky he and his bandmates can be. \u201cI\u2019m kind of a weird guy, but those guys are pretty weird too. I\u2019m usually the middle-man, but that\u2019s why I quit pursuing the next Brocas Helm record because it was too much bullshit.\u201d When it comes to another Brocas Helm record, it\u2019s guaranteed that it won\u2019t be produced at the Caverns of Thunder. \u201cThe only way we\u2019ll make another record is if we can get together and practice, get into a proper studio and do it quick. I\u2019m not going to do the two hours a week in my little studio thing again. We go in, record for a few days, then I go in and record for a couple days on my own- I can\u2019t work with those guys unless we do it that way. I just can\u2019t do the home studio thing with Jack and Jim again. I\u2019m not criticizing either of them, but it just takes too long. You know when you get into a groove in the studio, you just want to keep that train rolling for a week or two. I can\u2019t take this one year, two years spent making a record stuff anymore. I don\u2019t want to record something, listen, record it again the next week and listen again. And another week goes by, and another week goes by\u2026\u201d<\/p>\n<figure id=\"attachment_364\" aria-describedby=\"caption-attachment-364\" style=\"width: 660px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_021.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-full wp-image-364\" alt=\"Bob Wright and Jim Schumacher tapping the main riff to &quot;Cry of the Banshee&quot; at Thee Parkside in 2013. Photo courtesy of Raymond Ahner.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_021.jpg\" width=\"660\" height=\"440\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_021.jpg 660w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_021-300x200.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_021-449x300.jpg 449w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><figcaption id=\"caption-attachment-364\" class=\"wp-caption-text\">Bob Wright and the Wizard tapping the main riff to &#8216;Cry of the Banshee&#8217; at Thee Parkside in 2013. Photo courtesy of Raymond Ahner.<\/figcaption><\/figure>\n<p>Nowadays, the members of Brocas Helm are just happy to play the occasional show. That brings us full-circle to when the band takes over Thee Parkside in San Francisco. The three haven&#8217;t rehearsed a note before they hit the stage, and Wright has lost the set list that he scribbled together hours beforehand. Sounds like a recipe for disaster, right? <i>Wrong<\/i>. Brocas Helm proceeds to eviscerate the hundred-strong crowd with a sixty-five minute set made up of nothing but fan requests. The show isn\u2019t perfect by any means; duff notes are hit and the occasional cue is missed. What the band succeeds in doing however, is putting a wide smile on the faces of everyone in attendance. The audience is a diverse lot- some were headbanging in the front row at the Mabuhay Gardens in 1985, others watched them make their return at Lucifer&#8217;s Hammer, and then there are the kids who are spending their Friday night going out to see a cool vintage metal band. Throughout the show\u00a0Wright plants his feet, shakes his fist in the air as he sings and looks at everyone with madness in his eyes. His stories are hilarious and off-the-cuff, and his solos burn with scalding heat. Jim Schumacher hangs back and the commanding presence known as the Wizard takes over in his stead. The bassist enforces his station with confidence and power, skips back and forth across the small stage and locks in with Hays without turning an eye towards him. The drummer enters some kind of alternate reality; his mouth remains open, his arms flail about and his feet are always on the move. Hays quite frankly looks possessed.\u00a0The small but loyal crowd is witnessing the best band in the world do what they do better than anyone else\u2014not merely play, but<i> perform<\/i>\u2014rollicking, fist-pounding classic heavy metal.<\/p>\n<p>The three storm through a dozen of their finest tracks, nearly every one of them picked by the die-hards in the crowd. A large selection of tracks from\u00a0<strong>Defender of the Crown<\/strong>\u00a0are chosen, and a pair of songs each from\u00a0<strong>Into Battle<\/strong> and\u00a0<strong>Black Death<\/strong>\u00a0manage to make the cut. Brocas Helm\u00a0intentionally saves one tune in particular for last; a single bass note is all we need to know that \u2018Cry of the Banshee\u2019 is about to kick our asses. Hays adds a new level of speed and chaos to the track, and Wright and Schumacher are in near-perfect synchronicity as they tap the main riff. Sure, they flub a line or two, but we don\u2019t care. The crazy folks who have stuck around until 1:35 AM are too busy tearing their lungs to shreds singing along. The show ends, and I\u2019m in disbelief. I have finally seen Brocas Helm live, and they were incredible\u2014truly and indisputably incredible.<\/p>\n<figure id=\"attachment_363\" aria-describedby=\"caption-attachment-363\" style=\"width: 660px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_06.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-full wp-image-363\" alt=\"Jim Schumacher at Thee Parkside in 2013. Photo courtesy of Raymond Ahner.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_06.jpg\" width=\"660\" height=\"440\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_06.jpg 660w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_06-300x200.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_06-449x300.jpg 449w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><figcaption id=\"caption-attachment-363\" class=\"wp-caption-text\">Jim &#8220;The Wizard&#8221; Schumacher at Thee Parkside in 2013. Photo courtesy of Raymond Ahner.<\/figcaption><\/figure>\n<p>Now here is where I convince you that Brocas Helm is the greatest heavy metal band on planet Earth. Their three studio albums range from very good to nearly flawless, their live shows are wildly unpredictable and the members of the band can\u2019t even be in the same room together unless they\u2019re onstage. No, what helps makes Brocas Helm special is just how indispensable these three men are to the music. There isn\u2019t a metal drummer alive with the jazzoid chops and freewheeling attack of Jack Hays. The Wizard has no equal when it comes to aggressive, bouncing and dynamic bass playing (even Lemmy uses a pick; the Wizard is armed with a steel thumb). As for Bob Wright, there isn\u2019t anyone around with his immense charisma, ear for melody and vocal power all rolled into a 6\u20194\u201d package. Perhaps a former member can describe it best. \u201cAs far as I am concerned, Bobbie is a fricken musical genius. The songs he puts together are a trip. And then you add Jim&#8217;s bass magic and Jack&#8217;s unique playing style and that&#8217;s it&#8230; Brocas Helm,\u201d is what John Grey has to say. There is beauty in imperfection; Brocas Helm\u2019s songs induce so much happiness in people, and they bring so much passion and vigor to their craft that fans are able to look past the flaws and fall in love with the music and the performance anyway. Bob Wright sums it up rather simply: \u201cWe\u2019re not the greatest looking people or the greatest players, but some people seem to like us!\u201d A band whose music and live show bring so much joy to others that their flaws are rendered utterly meaningless: if that isn\u2019t the greatest band in the world, I will never know what is.<\/p>\n<figure id=\"attachment_340\" aria-describedby=\"caption-attachment-340\" style=\"width: 660px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_09.jpg\" rel=\"lightbox[323]\"><img loading=\"lazy\" class=\"size-full wp-image-340\" alt=\"The might Brocas Helm in 2013: Jim Schumacher, Bob Wright and Jack Hays. Photo courtesy of Raymond Ahner.\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_09.jpg\" width=\"660\" height=\"440\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_09.jpg 660w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_09-300x200.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2013\/12\/bh_09-449x300.jpg 449w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><figcaption id=\"caption-attachment-340\" class=\"wp-caption-text\">The mighty Brocas Helm in 2013: Jim &#8220;The Wizard&#8221; Schumacher, Bob Wright and Jack Hays. Photo courtesy of Raymond Ahner.<\/figcaption><\/figure>\n<p><strong>Visit Brocas Helm on the web:<br \/>\n<a title=\"facebook.com\/pages\/Brocas-Helm\" href=\"https:\/\/www.facebook.com\/pages\/Brocas-Helm\/166922780317\">www.facebook.com\/pages\/Brocas-Helm\/<\/a><br \/>\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Avinash Mittur It\u2019s a Friday night in the Potrero Hill neighborhood of San Francisco. On 17th and Wisconsin, there lies a little bar and grill called Thee Parkside; if you\u2019re not careful, you might drive right past without even knowing it. I\u2019ve ventured to Thee Parkside just for this night, one that I have &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/metalassault.com\/articles\/2013\/12\/09\/defenders-of-the-crown-the-mighty-brocas-helm\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Defenders of the Crown: The Mighty Brocas Helm&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/posts\/323"}],"collection":[{"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/comments?post=323"}],"version-history":[{"count":54,"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/posts\/323\/revisions"}],"predecessor-version":[{"id":414,"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/posts\/323\/revisions\/414"}],"wp:attachment":[{"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/media?parent=323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/categories?post=323"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/tags?post=323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}