{"id":2750,"date":"2016-12-02T12:43:55","date_gmt":"2016-12-02T20:43:55","guid":{"rendered":"http:\/\/metalassault.com\/articles\/?p=2750"},"modified":"2016-12-05T11:29:23","modified_gmt":"2016-12-05T19:29:23","slug":"best-albums-of-2016","status":"publish","type":"post","link":"http:\/\/metalassault.com\/articles\/2016\/12\/02\/best-albums-of-2016\/","title":{"rendered":"Best Albums Of 2016"},"content":{"rendered":"<p><strong>By Andrew Bansal<\/strong><\/p>\n<p><a href=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2016\/12\/BestAlbums2016.jpg\" rel=\"lightbox[2750]\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-2812\" src=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2016\/12\/BestAlbums2016.jpg\" alt=\"bestalbums2016\" width=\"1024\" height=\"1024\" srcset=\"http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2016\/12\/BestAlbums2016.jpg 1024w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2016\/12\/BestAlbums2016-150x150.jpg 150w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2016\/12\/BestAlbums2016-300x300.jpg 300w, http:\/\/metalassault.com\/articles\/wp-content\/uploads\/2016\/12\/BestAlbums2016-768x768.jpg 768w\" sizes=\"(max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/a><\/p>\n<p>It&#8217;s that time of the year again, when you tell me there&#8217;s been no good new music and I tell you there&#8217;s been more than plenty. Let&#8217;s cut to the chase. Here are my picks for the 20 best full-length studio albums of the year 2016.<!--more--><\/p>\n<p><strong>20. Take Over And Destroy &#8211; Take Over And Destroy:<\/strong> This Tempe, Arizona group released their third full-length album this year, the self-titled effort also their first on Prosthetic Records. Through this set of ten powerful compositions, Take Over And Destroy present a fresh, compelling take on extreme music with their black metal-meets-death rock stylings, the music and the lyrics emanating a grief-filled vibe but doing so in a strangely uplifting manner from the listener&#8217;s perspective. One of the finest hidden gems of the metal underground to have surfaced this year.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/d-2Fd9gEzdc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>19. Scorpion Child &#8211; Acid Roulette: <\/strong>Austin, Texas hard rockers Scorpion Child are back doing what they do best, as proven by the delightful jams that decorate &#8216;Acid Roulette&#8217;. While &#8217;70s and &#8217;80s heavy music is inspiring many young bands to take it up and join the revival, there isn&#8217;t as much of an abundance of bands pursuing Zeppelin\/Rainbow influenced classic hard rock. &#8216;Acid Roulette&#8217; has the high-pitched clean singing, the rhythmic grooves, the guitar tone, the organ\/keyboard element, and most of all, the songwriting, to deem Scorpion Child as their genre&#8217;s worthiest flag-bearers.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/XI4jAw-un7k\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>18. Mars Red Sky &#8211; Apex III (Praise For The Burning Soul):\u00a0<\/strong>French trio Mars Red Sky&#8217;s newest effort is by far the best psych rock release of the year. The album paints\u00a0quite the mental landscape with its\u00a0brilliant arrangements of sonic patterns, very much based on gradual buildup through recurring hypnotic segments. The music not only has the power to mesmerize fans of the genre but also makes for a perfect soundtrack for some specific visual creations, as evident from the crowd-funded French short film &#8216;Alien Grounds&#8217; which\u00a0the band also released this year. &#8216;Apex III&#8217; is a masterpiece in every sense.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/B27JLL3MKB4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>17. Killswitch Engage &#8211; Incarnate:\u00a0<\/strong>American metalcore stalwarts\u00a0Killswitch Engage came out with this very aptly titled seventh full-length album this year, because the songs that made it onto the release together constitute a very exemplary slab of all that&#8217;s good about metalcore. Even the non-fan could easily appreciate the class and quality of the musicianship that fuels these songs. This is without doubt one of the best pieces of work by this longstanding band of 17 years that has unwaveringly carried on in their efforts to keep their brand of metal alive. &#8216;Incarnate&#8217; absolutely does that, as frontman\u00a0Jesse Leech is at his peak on clean as well as harsh vocals, the songwriting led by guitarist Adam Dutkiewicz is fantastic, and the variety within the album makes it enjoyable from start to finish. A splendid effort by a great band.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/WKlC-421F2o\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>16. Elm Street &#8211; Knock &#8216;Em Out&#8230; With A Metal Fist:\u00a0<\/strong>Australian band Elm Street have been around for longer than people realize, and first made their mark with the 2011 debut LP &#8216;Barbed Wire Metal&#8217;. They took their time with the next set of songs, and clearly did the right thing, as their 2016 album &#8216;Knock &#8216;Em Out&#8230; With A Metal Fist&#8217; is a highly impressive melodic thrash metal treat, filled to the brim with one fist-pounding jam after another. &#8216;Face The Reaper&#8217; and &#8216;Heart Racer&#8217; are among the strongest songs released by anyone this whole year, but everything on the album makes an impact and comes with a sense of purpose. This Elm Street album sure as hell knocks it out of the park.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/QAOgn-8O5AI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><em>Read more on Page 2<\/em><\/p>\n<p><em><strong>If you like what you\u2019ve read, <a href=\"http:\/\/paypal.me\/MetalAssault\" target=\"_blank\">make a donation<\/a> of any amount and help keep Metal Assault running full time!<\/strong><\/em><\/p>\n<p><!--nextpage--><\/p>\n<p><strong>15. Megadeth &#8211; Dystopia:<\/strong> Metal titans Megadeth redeemed themselves in full after the indisputably subpar 2013 album &#8216;Super Collider&#8217;, with their 2016 release &#8216;Dystopia&#8217; serving as an excellent representation of the fact that they still retain the musical creativity that garnered them their fan-base in the first place. New guitarist Kiko Loureiro makes a strong debut, and Lamb Of God drummer Chris Adler also stamps his authority in his one-off in-studio contribution to Megadeth. &#8216;Dystopia&#8217; is everything Megadeth circa 2016 should be, and rises far above and beyond the latest efforts of the band&#8217;s so-called &#8220;big four&#8221; contemporaries.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/QrV61ATP3Ec\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>14. Hammers Of Misfortune &#8211; Dead Revolution:\u00a0<\/strong>Songwriter John Cobbett expresses himself as well as he&#8217;s ever done on his brainchild Hammers Of Misfortune&#8217;s latest effort &#8216;Dead Revolution&#8217;. This is a smoothly flowing 7-track journey of richly layered tunes blending traditional metal, stoner doom, classic prog and &#8217;70s hard rock, complete with an amazing doom metal cover of Bob Dylan&#8217;s &#8216;Days Of &#8217;49&#8217;. This band is one of San Francisco&#8217;s best gifts to the world of music, and this album re-establishes as much.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/z7bDIWgq7p4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>13. Red Fang &#8211; Only Ghosts:\u00a0<\/strong>Portland, Oregon stoner metal group Red Fang has been speedily traversing the path to greatness with everything they&#8217;ve done in their career thus far, and as they move into their second decade as a band, they do so on the strength of their stellar fourth LP called &#8216;Only Ghosts&#8217;. As with their previous albums, this set of songs maintains their signature sound but exudes freshness and variety, and expands the band&#8217;s musical repertoire. If you love heavy music, you love Red Fang&#8217;s &#8216;Only Ghosts&#8217;.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ywQ2dSFh4H4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>12. Bloody Hammers &#8211; Lovely Sort Of Death:\u00a0<\/strong>Charlotte, North Carolina group Bloody Hammers has been rather prolific in their short four-year existence thus far, releasing as many as four full-length albums already, but really marking their arrival with the latest LP &#8216;Lovely Sort Of Death&#8217;, a unique blend of stoner doom and gothic rock. Dominated by an identifiable singing voice and well-crafted guitar, keyboard, bass and synth arrangements, this set of ten songs creates a vibe of its own and leaves an indelible impression. A truly one-of-a-kind album in comparison to everything else that has graced the ear in 2016.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Ozr233cTA5M\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>11. High Spirits &#8211; Motivator:\u00a0<\/strong>One of metal&#8217;s greatest songwriters, Chris Black has done it again with his newest High Spirits album, delivering nine righteous anthems of full-on traditional heavy metal glory. This is the most upbeat, inspirational, high-energy metal album to have come out this year, and for anyone that loves clean-sung vocals, NWOBHM-style guitar harmonies and galloping rhythms, this one is a winner from the first note to the last, and\u00a0not a single dull or filler moment whatsoever. &#8216;Motivator&#8217; is pure gold, and proves that as long as Chris Black continues making High Spirits albums, this sub-genre is in absolutely no danger of fading away.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/eVUS7ZLUQ9w\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><em>Read more on Page 3<\/em><\/p>\n<p><em><strong>If you like what you\u2019ve read, <a href=\"http:\/\/paypal.me\/MetalAssault\" target=\"_blank\">make a donation<\/a> of any amount and help keep Metal Assault running full time!<\/strong><\/em><\/p>\n<p><!--nextpage--><\/p>\n<p><strong>10. Kryptos &#8211; Burn Up The Night:\u00a0<\/strong>Hailing from Bangalore, India, longstanding quartet Kryptos have carried the flag for all things old-school metal for nearly 20 years, and judging by its sheer quality, their fourth full-length &#8216;Burn Up The Night&#8217; is the album they&#8217;ve been gradually building up towards, the album they were always capable of, the album they&#8217;ve really been wanting to make. In the songwriting, lyrics, performances and even in the cover artwork, &#8216;Burn Up The Night&#8217; showcases the undeniable expertise the four members of Kryptos have developed in themselves when it comes to this brand of heavy metal. When four of the most dedicated old-school metal fans on the planet jam together for years playing the music they love and become great musicians through the process, this is the result. A must-listen for every metalhead.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Gvmczfu-e6o\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>9. Kyng &#8211; Breathe In The Water:\u00a0<\/strong>Los Angeles metal trio Kyng have made rapid, constant progress to come a long way since their 2008 inception, turning first-timers into lifelong fans with their first two albums &#8216;Trampled Sun&#8217; (2011) and &#8216;Burn The Serum&#8217; (2014) and all the touring that came with it, and they&#8217;ve taken another giant step in the right direction with the latest release &#8216;Breathe In The Water&#8217;. The band leaves no stone unturned in making this as complete and comprehensive of an album as they could in terms of what it offers to the listener, and as the output shows, they were clearly not short on musical ideas, as they transition seamlessly between fast-paced ragers to mid-tempo groovy jams to slow ballad-like compositions, and even a Zeppelin-esque acoustic guitar piece or two. The dynamism is evident from song to song as well as within each one. Eddie Veliz (vocals, guitar), Tony Castaneda (bass, backup vocals), and Pepe Clarke (drums) tend to find their individual and collective peak every time they write an album, and raise it higher on the next one. Their current peak, i.e. &#8216;Breathe In The Water&#8217;, stands strong amongst the best in 2016.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/UgtQj0gfidA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>8. Death Angel &#8211; The Evil Divide:\u00a0<\/strong>San Francisco Bay Area thrash veterans Death Angel continue to extend the purple patch they&#8217;ve found themselves in during the last six years of their career\u00a0with one scintillating album after another, and their latest LP &#8216;The Evil Divide&#8217; not only does complete justice to\u00a0the band&#8217;s unbound talent and energy, but also comes across\u00a0as a real lesson in what a thrash album in 2016 <em>should<\/em> ideally sound like. Guitarist Rob Cavestany&#8217;s\u00a0seemingly endless and ever-replenishing supply of\u00a0riffs and songwriting ideas has done this album wonders, as vocalist Mark Osegueda pushes himself harder and the rest of the band delivers the goods in their performances. A magnificent embodiment of real\u00a0thrash metal.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/FRW1mdm3CaI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>7. Spellcaster &#8211; Night Hides The World:\u00a0<\/strong>Portland, Oregon traditional metal quintet Spellcaster have hit the home run with their fourth LP and Prosthetic Records debut &#8216;Night Hides The World&#8217;, a true album lover&#8217;s delight with eight songs that each stand on their own as well as together as one, in an unabated exhibition of soaring guitar and vocal melodies\u00a0backed by a lively rhythm section. This album&#8217;s impact is long-lasting and commands repeat play to a greater extent than most other releases this year. This is Spellcaster&#8217;s finest hour, this is traditional metal done right.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/uSBz_ke5WhI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>6. Gygax &#8211; Critical Hits:\u00a0<\/strong>Ventura, California&#8217;s finest nerd-themed boogie rock group Gygax has arrived in our world in the most impressive manner possible, i.e. their debut album &#8216;Critical Hits&#8217;, technically a full-length but the 9-track, 30-minute effort only leaving the listener starving for more. Thin Lizzy being the most obvious influence they&#8217;re channeling in their music, Gygax was founded by Gypsyhawk members Eric Harris and Bryant Throckmorton and for the writing and recording of this album, included (the now Night Demon guitarist) Armand John Lizzy in its ranks. Through instant\u00a0classics like &#8216;Draw Breath&#8217;, &#8216;Chain Lightning&#8217;, &#8216;Demons&#8217;, &#8216;The Hunter&#8217;s Heart&#8217; and many others that deem this album\u00a0worthy of its title, Gygax\u00a0carries on from where Gypsyhawk left, does it better, and makes their mark as a love-at-first-listen band.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/cY3tWpNLnIU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><em>Read more on Page 4<\/em><\/p>\n<p><em><strong>If you like what you\u2019ve read, <a href=\"http:\/\/paypal.me\/MetalAssault\" target=\"_blank\">make a donation<\/a> of any amount and help keep Metal Assault running full time!<\/strong><\/em><\/p>\n<p><!--nextpage--><\/p>\n<p><strong>5. Testament &#8211; Brotherhood Of The Snake:<\/strong>Testament is undoubtedly the only band that has successfully been able to match and at times surpass the efforts of their San Francisco Bay Area colleagues Death Angel in recent years to stand out as the best in thrash. Testament&#8217;s latest offering &#8216;Brotherhood Of The Snake&#8217; is the runaway winner in this genre for 2016 and presents the band at its\u00a0absolute best. These ten scorching tunes combine thrash and melody in the most compelling manner possible, as vocalist Chuck Billy challenges himself to use\u00a0his clean singing voice more, the guitar duo of Alex Skolnick and Eric Peterson stamp their class, drummer Gene Hoglan lends his deadly precision and returning bassist Steve DiGorgio synchs perfectly with the rest as if he never left. &#8216;Brotherhood Of The Snake&#8217; is a glorious representation\u00a0of a band that is relevant in 2016\u00a0while still staying true to their &#8217;80s roots.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/OeIgFsU0x4I\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>4. Holy Grail &#8211; Times Of Pride And Peril:\u00a0<\/strong>In their formative years, Los Angeles quintet Holy Grail were very much known for being traditional metal perpetrators, as indicated by the &#8216;Improper Burial&#8217; EP (2009). But they started showcasing elements of guitar shred and modern metal on their debut full-length &#8216;Crisis In Utopia&#8217; even as they still retained the classic metal sound, mainly through the soaring high-pitched, clean-sung lead vocals. Since then, they&#8217;ve evolved tremendously as musicians to explore and expand their creative abilities within their self-made realm of classic-meets-modern metal. &#8216;Ride The Void&#8217; (2013) was a great example of this trait, but for the latest LP &#8216;Times Of Pride And Peril&#8217;, Holy Grail have delved deep and emerged with their best effort till date, going more modern as well as more old-school at the same time, and almost completely discarding the harsh vocals. Holy Grail, in truth, cannot be categorized in a specific sub-genre because sound like no one else but themselves, and this album establishes their identity upon which they can build what will hopefully be a long career ahead. &#8216;Times Of Pride And Peril&#8217; is pure delight for metal-loving ears.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/PQf-DF8ZyHI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>3. Gojira &#8211; Magma:\u00a0<\/strong>French extreme metal group Gojira metamorphosed into greatness with their 2012 release &#8216;L&#8217;Enfant Sauvage&#8217;, and have capitalized on the newfound impetus to create an even better album, their sixth LP &#8216;Magma&#8217;. Lyrically, this one conveys guitarist\/vocalist Joe Duplantier&#8217;s depression fueled by personal loss, and musically creates an aptly bleak atmosphere to accompany the deep, dark lyrics. In comparison to previous albums, Gojira make an attempt at expressing themselves more precisely on &#8216;Magma&#8217;, and have gone for a less proggy, epic feel and a more straightforward songwriting approach, with greater emphasis on clean vocals. They clearly succeed with &#8216;Magma&#8217; as much as they did with anything they released in the past, and in the grand scheme of all things musically heavy, this is the one album that puts extreme metal on the map like no other.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/dLC9CHxNHHU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>2. Kvelertak &#8211; Nattesferd:\u00a0<\/strong>Norwegian six-piece band Kvelertak turned quite a few heads with their self-titled debut in 2010, bringing a whole new take on metal with their undeniably unique sound, blending harsh vocals, black metal drumming and Thin Lizzy inspired guitar harmonies, complete with three guitar players. The sophomore effort &#8216;Meir&#8217; was just as impressive although not as stunningly novel as the first one, simply because one knew what to expect from the band. This is where they took it upon themselves to come up with a brand new approach, and they sure did so on &#8216;Nattesferd&#8217;. While some of the songs continue from where &#8216;Meir&#8217; left, most of this album is decidedly more melody-driven, makes far better use of the three guitars, and without being slow or dull, exudes a much more laid-back, chilled-out vibe. The catchiest, most accessible Kvelertak record till date, &#8216;Nattesferd&#8217; is certainly one of the strongest releases of 2016, and makes an everlasting impact that leaves its songs resonating in the mind long after one is done listening to it.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/I189nD_yeQs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>1. Striker &#8211; Stand In The Fire:\u00a0<\/strong>Based out of Edmonton, Canada, metal quintet Striker do not know how to put out a bad album, as evident from the songs that decorate &#8216;Eyes In The Night&#8217; (2010), &#8216;Armed To The Teeth&#8217; (2012) and &#8216;City Of Gold&#8217; (2014). Combining the best aspects of glam, power, thrash, speed and traditional metal, Striker developed a reputation as unbeatable songwriters and captivating musicians. But they struck bullseye with their newest album &#8216;Stand In The Fire&#8217;, coming up with a set of songs that exhibit them at the absolute peak of their powers in all aspects, the singing, the lyrics, the guitar work, the rhythm section, the track ordering, song lengths, album length and cover artwork. Lead vocals hit the highest of highs yet show great range, backing vocals and group chorus vocals are the strongest heard on an album in a long time, the guitar riffs, melodies and solos are nothing short of face-melting, jaw-dropping and fist-raising, and the rhythm section gives it the skull-crushing heaviness to make it complete. Fast thrashers, easygoing glam anthems, powerful ballads, a shred-heavy instrumental, and even a song with sax play, this album does\u00a0it all and does it better than anyone. In 2016, Striker&#8217;s &#8216;Stand In The Fire&#8217; is heavy metal perfection.<\/p>\n<p><em><strong>If you like what you\u2019ve read, <a href=\"http:\/\/paypal.me\/MetalAssault\" target=\"_blank\">make a donation<\/a> of any amount and help keep Metal Assault running full time!<\/strong><\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/_X_7X5sZf8s\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Andrew Bansal It&#8217;s that time of the year again, when you tell me there&#8217;s been no good new music and I tell you there&#8217;s been more than plenty. Let&#8217;s cut to the chase. Here are my picks for the 20 best full-length studio albums of the year 2016.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/posts\/2750"}],"collection":[{"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/comments?post=2750"}],"version-history":[{"count":47,"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/posts\/2750\/revisions"}],"predecessor-version":[{"id":2826,"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/posts\/2750\/revisions\/2826"}],"wp:attachment":[{"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/media?parent=2750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/categories?post=2750"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/metalassault.com\/articles\/wp-json\/wp\/v2\/tags?post=2750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}